  
        SAN FRANCISCO:  Al Edridge of Palos Verde, CA was born and raised in England in the 1950s
        and started looking for a unique British classic car to restore in the late-1980s. He
        spotted a classified ad for a reasonably priced 1951 Riley convertible. Al remembered
        these swoopy beauties from his youth so he grabbed it even though it was only about 80%
        complete and in many pieces.  
        The car was purchased from
        a soon-to-be-notorious Southern California collector / restorer who also contracted with
        Al to start restoration of the car as well. Thousands of dollars later, both the restorer
        and the restoration project disappeared leaving Al's Riley dream in limbo for over a year.
        One day Al received a letter of apology from the reluctant deadbeat and the address and
        key for a storage lockup in the San Fernando Valley. After paying back storage fees, Al
        was able to view what he still had. Funny how things work out, but he not only found his
        car, but an incomplete 1 1/2 liter saloon and a bunch of RM series parts unrelated to
        either car. 
        The body and chassis were
        loaded on a trailer and brought out to Riley Club member Hema Ratnayane's house in
        Altadena, CA for refurbishment. Hema and his dad, T D, have been active in the SoCal
        British car hobby for years building and collecting Morris's, Healeys and MGs, and were
        deeply involved in RM Series Rileys since acquiring one about ten years ago. There the
        body was removed from the chassis and the work began. Al, a retired engineer, would take
        care of the mechanicals and the Ratnayanes would rebuild the body and chassis. They were
        also restoring their own convertible and Al will rebuild the mechanicals for them as well. 
        The chassis was sandblasted
        and powder coated while the body was checked for rot and damage. Though most of the wood
        was sound, the main timber sections down by the rocker panels that attach the body to the
        frame were rotted and needed replacement. When the body was ready to drop onto the frame
        it was discovered that all of the rubber blocks, metal pins, and attachment pieces needed
        to be replaced as well, so the job slowed down until the parts arrived. In the meantime,
        Al rebuilt the engine, retaining the original poured babbit bearings. The engine was first
        tested resting on it's oil pan on the garage floor and roared to life without a hitch!
        It's run well ever since. Al also rebuilt the best transmission, rear axle and brakes
        (remember, he got a few to choose from in the lock-up) and installed them on the finished
        chassis. 
        The finished and painted
        body was then installed onto the chassis. Al explained that this was quite a project in
        itself, as the long front-opening "suicide doors" required complete new wood
        framing and pretty accurate alignment. The wood framed body, even with new mounting
        hardware, needed to be shimmed and was flexible enough to make this a long and tedious
        process. 
        No less complicated was
        installing the convertible top and internal cabriolet headlining. This had to go back to
        the trim shop three times before a proper fit was obtained. While the carpets were done in
        correct British Wilton wool, the seats were covered with a leatherette style vinyl for
        durability. 
        The restoration took about
        four years to complete, partially because Al and Hema Ratnayane spent a lot of time
        looking for the "right" parts. John Kirby, the spares secretary for the RM Club
        in the UK was an excellent source for mechanical bits, and Varlie Gordon from the US Riley
        club, who also lives in SoCal, helped with advise & direction and letting Al
        "borrow" pieces off of his completed car to replicate. All of the body parts
        were plated and painted off of the car and were fitted as they were needed. Al Edridge
        said, "The experience of restoring this car was quite a challenge but well
        worthwhile. With the help of other Riley owners in California and the club in the UK, the
        project made me feel like I was part of a big "Riley Team." It was a great car
        to restore, is fun to drive, and was a great way to meet the friendly group of Riley
        owners, both here in California as well as the British enthusiasts we met when we went to
        the Riley Centenary rally at Coombe Abbey in Coventry in 1996." 
        Al Edridge's Riley is
        beautifully restored and runs as good as it looks. The 2.5 liter OHV four can propel it's
        rather large and heavy carriage (about the size of a Kaiser Darrin) at reasonably high
        speed, though one must master the torque curve and know exactly where to shift. In fact,
        the whole car takes a while to get used to. It steers hard and brakes hard and then
        there's all of that shifting . . . But performance is not what the car is all about,
        though when you put it into the perspective of the other cars available in 1951, it's no
        slouch! 
        It is so beautiful that everyone on the street admires it. The Riley
        seems to exude classic style and good taste without any elitist overtones. Even the
        leftist of Communists won't take you to task for oppressing the masses as they would with
        a vintage Roll Royce, Jaguar or Bentley. Even the hot rodders are impressed (though I
        expect they are also mentally fitting it with a small-block Chevy V8), and the general
        public isn't quite sure what it is, but it must be something real special, and "it
        shore is pretty!" By Rick Feibusch © AutoWire.Net - San Francisco 
          
        Byline:  By Rick Feibusch © AutoWire.Net - San Francisco
         
        Column Name:   The Classic Drive  
        Topic:  1951 Riley Convertible  
        Word Count:   941  
        Photo Caption:  1951 Riley Convertible  
        Photo Credits:  Rick Feibusch 
        Series #:   1999 - 57 
         
         
        
          
              
              
           
         
         |